Thursday, February 21, 2013
http://journalstar.com/entertainment/music/morris-magic-slim-holt-lincoln-s-chicago-bluesman-dies-at/article_22ee1a0f-69a4-558c-9b7c-48048cfce142.html?cid=print
Morris "Magic Slim" Holt, Lincoln bluesman, dies at 75
By L. KENT WOLGAMOTT / Lincoln Journal
Morris “Magic Slim” Holt, the Chicago bluesman who called Lincoln home for two decades, died Wednesday at a Philadelphia hospital. He was 75.
Holt was on tour with his band the Teardrops in late January when he became ill with breathing problems and was hospitalized in Phoenixville, Pa. He was transferred later to Philadelphia.
By far Lincoln’s best-known and most-hailed musician, Magic Slim and the Teardrops was considered the last of the Mississippi-to-Chicago electric blues bands that took root in the 1950s.
In 2003, Magic Slim and the Teardrops received the Blues Music Award as "Blues Band Of The Year,” the sixth time he won a Blues Music Award, considered the highest honor in the blues.
Slim’s passing was mourned immediately by Lincoln’s music community, which poured out remembrances and condolences on social media, like this Facebook post from Shaun Sparks of the band Large Mouth: “Rest in Peace Magic Slim. What an amazing musician and a sweet, funny man. He'll be missed the world over.”
Others talked about the connection between Slim and Lincoln.
“That’s a big hit in the gut for Lincoln,” said Gerardo Meza of The Mezcal Brothers. “That’s another legend gone. Six months after Larry (Boehmer, former Zoo Bar owner). That’s sad. My kids got to know him, they knew who he was and they respected him. That’s what he deserves, respect. He put Lincoln on the map, he and Larry, for blues and he was a true musician. It is what he did all his life.”
Boehmer, whom of Slim said last year “he feels just like my brother,” began booking live acts at Zoo in 1974. Among the first he brought in was Magic Slim and The Teardrops, who in the preceding four years had become a force on the Chicago blues scene, but rarely played outside the city.
“The Zoo Bar was the first white club Slim ever played,” said Zoo owner Pete Watters. “It had to have been '74-'75. Long before he moved to Lincoln, he’d play a whole week at the Zoo Bar. Monday through Saturday, he’d pack the bar, six nights in a row. And he’d do it three or four times a year. Long before he moved here, there was a love affair between Magic Slim and Lincoln.”
Slim and his, wife, Ann moved to Lincoln in the early '90s, in part to get their teenaged son Shawn away from the gangs that were ravaging their Chicago neighborhood. Shawn, known as “Lil’ Slim” now leads his own band and was guitarist in the Teardrops, accompanying his father on his final tour.
Born in Torrence, Miss., Holt took an early interest in music. A cotton gin accident that took the little finger on his right hand caused the young Holt to switch from piano, his first love, to guitar
At 11, Holt moved to nearby Grenada, Miss., where he met and became friends with guitarist Samuel “Magic Sam” Maghett, who supplied him with guitar advice early and the name “Magic Slim” later.
In 1955, Holt made his first trip to Chicago, where he played bass in Magic Sam’s band and picked up his new name. But he returned to Mississippi, discouraged, and educated himself in the blues.
A few years later, he returned to Chicago, became a staple on the blues scene and began his recording career with the single “Scufflin’” in 1966. He formed the Teardrops with brothers Nick and Douglas the next year.
He recorded his first album “Born Under a Bad Sign” in 1967 and released dozens more. His most recent record, “Bad Boy” came out last year on Blind Pig Records.
“His music is really getting to the end of an era,” Watters said. “Of his generation of guys, Buddy Guy and Eddy Clearwater are two of the last guys left. What he did was so earthy. Musically, he was one of a kind. The music will be preserved. He will never be forgotten. I’m so sad I’ll never see my friend Morris Holt ever again.”
http://www.guardian.co.uk/music/2013/feb/20/kevin-ayers-dies-aged-68
Writer Christopher Robbins dies at 66
Author penned non-fiction works such as 'Air America' and 'The Empress of Ireland'
By Variety Staff
Christopher Robbins, the Blighty scribe and journo who penned "Air America" and other pieces of non-fiction, died of pancreatic cancer on Dec. 24. He was 66.
A native of Bristol, Robbins honed his craft as a student writing jazz criticism for the Telegraph. More formal training came on The Stroud News and Journal, after which he freelanced for various papers and magazines Stateside and in Europe.
Investigative articles for the Observer magazine on CIA assassination plots gave way to his first opus, "Assassin," after which he wrote two books about Vietnam, "Air America" and "The Ravens." Former turned into a Mel Gibson-starrer, with Robbins penning the script.
Other tomes include "A Test of Courage," a bio on WWII survivor and language teacher Michel Thomas, and "The Empress of Ireland: A Chronicle of an Unusual Friendship," a memoir that won the Saga Prize for wit.
Robbins also wrote about former Soviet satellites such as Kazakhstan, Kyrgyztan and Azerbaijan, publishing "In Search of Kazakhstan: The Land That Disappeared" in 2007.
He is survived by his wife, scribe-helmer, Mary Agnes Donoghue.
Actress Elspet Gray dies aged 83
Last updated Tue 19 Feb 2013
UK Actress and charity campaigner Elspet Gray, who appeared in TV shows including Catweazle, Blackadder and Fawlty Towers, has died aged 83, a spokeswoman for Mencap confirmed today.
The Scottish-born actress, formally known as Lady Rix after her husband Brian was made a life peer, died in hospital yesterday.
The birth of her daughter Shelley - who had Down's Syndrome - in 1951 led the couple into charity work, with Lord Rix becoming chairman of the learning disability charity Mencap.
Mencap Chief Executive Mark Goldring said, "It is so sad to hear of Lady Rix's death. Lord and Lady Rix made a formidable team in their determination to change the lives of people with learning disabilities".
"Elspet made a real difference, in a world where few people really do. We will work hard to ensure that her legacy of campaigning and care will continue", he continued. "Our thoughts go out to Lord Rix and the rest of the family at this very difficult time".
Lady Rix, who grew up in India, is survived by her husband, two sons, a daughter and grandchildren. Her daughter Shelley died in 2005.
http://www.itv.com/news/update/2013-02-19/actress-elspet-gray-dies-aged-83/
Petro Vlahos, a special-effects pioneer who developed the blue-screen and green-screen process that allowed Dick Van Dyke to dance with penguins in “Mary Poppins,” the blue-skinned Na’vi to live among floating mountains in “Avatar,” and TV weather reporters to point at sun and rain symbols that only their viewers can see, died on Feb. 10 in Los Angeles. He was 96.
His death was announced by Ultimatte, the company that he and his son, Paul, founded in 1976.
The technology Mr. Vlahos perfected, earning him Oscar and Emmy awards, creates the illusion that actors or settings filmed separately are in the same place. It has made it possible for young actors to play their own twins and share scenes with them; for princesses in galaxies far, far away to send hologram messages; and for nonexistent, distant worlds and their wildlife to appear real in convincing detail.
“His inventions made a whole genre of film possible — a genre that seems to make more money than any other,” said Bill Taylor, the Oscar-winning visual-effects supervisor, speaking at an Academy of Motion Picture Arts and Sciences event the day before Mr. Vlahos died. “He created the whole of composite photography as we know it.”
In an interview with the BBC, Robin Shenfield, president of the Mill, a British visual-effects studio, summarized Mr. Vlahos’s contribution and talent as “that fundamental ability to take lots of elements from lots of places and seamlessly mesh them,” creating “a new convincing reality.”
Mr. Vlahos did not come up with the original idea for the film industry’s blue-screen method; it had been used in Hollywood as early as “The Thief of Bagdad” (1940). But he refined it, to say the least, and developed a way to minimize the unfortunate side effects of earlier methods, like the strange, unwanted glow that might surround objects. Glassware, cigarette smoke and hair blowing in the wind had been particular problems.
Mr. Vlahos’s breakthrough was a complex laboratory process that separated blues, greens and reds before recombining them. He called it “the color difference traveling matte scheme.” (Whether filmmakers choose to use a blue screen or a green one is sometimes a simple matter of choosing the color that no actor in the scene is wearing.)
An early use of the technology was in the 1959 film “Ben-Hur,” a multiple Oscar winner perhaps best known now for its chariot-race scene, which could not have been done so vividly and convincingly without Mr. Vlahos’s contributions. It was his method as well in “The Birds,” Alfred Hitchcock’s 1963 movie in which Tippi Hedren is almost pecked to death by the angry title characters.
His technology was also used in the first “Star Wars” trilogy, in Warren Beatty’s “Dick Tracy,” in Ang Lee’s “Life of Pi” and in the science-fiction series “Doctor Who.”
But a complete list of his handiwork would be almost impossible to compile. Mr. Vlahos held at least 35 movie-related patents, and as they expired others in the industry put his discoveries to their own uses. As The Hollywood Reporter wrote last week, “every green- or blue-screen shot today employs variants of the Vlahos technique.”
Petro Vlahos was born on Aug. 20, 1916, in Raton, N.M., a small town near the Colorado border. He received an engineering degree from the University of California, Berkeley, in 1941 and worked for the Douglas Aircraft Company and Bell Laboratories before joining the Motion Picture Research Council after World War II, having been recommended by a contact at MGM.
In addition to his son, Mr. Vlahos’s survivors include his wife, Virginia; a daughter, Jennie Vlahos Gadwa; a stepson, James Bentley; and a stepdaughter, Sandra Bentley King.
Mr. Vlahos received a special Emmy Award in 1978 for the Ultimatte video-matting device and five special Academy Awards: in 1961, 1965, 1993, 1994 and 1995. Sometimes those were shared with colleagues. (He shared the 1995 award with his son.)
Later in life he was outspoken about his belief that he had gotten less than his fair share of the credit for his special-effects work, particularly regarding the 1965 prize. That Oscar, for “the conception and perfection of techniques for color traveling matte composite cinematography,” also went to Ub Iwerks and Wadsworth E. Pohl.
“All three of us got the same Oscar,” Mr. Vlahos said in a 2009 video interview with Jeff Foster, author of “The Green Screen Handbook,” although “they didn’t invent anything.”
“Today I would have handled it differently,” Mr. Vlahos said. “You get older. You get tougher.”
Former TEMPTATION singer DAMON HARRIS has passed. He was born OTIS ROBERT HARRIS in BALTIMORE, MD in 1950.
He replaced EDDIE KENDRICKS, one of the orignal lead singers of the TEMPTATIONS. HARRIS was so good many TEMPTATION's fans didn't realize he was the voice in the GRAMMY AWARD-wnning hits "Cloud Nine" and "Psychedelic Shack." He sang with the TEMPS from 1971 to 1975. HARRIS later toured around the world with fellow future TEMPTATIONS member GLENN LEONARD. HARRIS succombed after a lenthy bout with prostate cancer.
DAMON HARRIS was 61. Funeral arrangements are pending.
http://www.allaccess.com/net-news/archive/story/115506/former-temptations-singer-damon-harris-passes
Last updated Tue 19 Feb 2013
UK Actress and charity campaigner Elspet Gray, who appeared in TV shows including Catweazle, Blackadder and Fawlty Towers, has died aged 83, a spokeswoman for Mencap confirmed today.
The Scottish-born actress, formally known as Lady Rix after her husband Brian was made a life peer, died in hospital yesterday.
The birth of her daughter Shelley - who had Down's Syndrome - in 1951 led the couple into charity work, with Lord Rix becoming chairman of the learning disability charity Mencap.
Mencap Chief Executive Mark Goldring said, "It is so sad to hear of Lady Rix's death. Lord and Lady Rix made a formidable team in their determination to change the lives of people with learning disabilities".
"Elspet made a real difference, in a world where few people really do. We will work hard to ensure that her legacy of campaigning and care will continue", he continued. "Our thoughts go out to Lord Rix and the rest of the family at this very difficult time".
Lady Rix, who grew up in India, is survived by her husband, two sons, a daughter and grandchildren. Her daughter Shelley died in 2005.
http://www.itv.com/news/update/2013-02-19/actress-elspet-gray-dies-aged-83/
Petro Vlahos, a special-effects pioneer who developed the blue-screen and green-screen process that allowed Dick Van Dyke to dance with penguins in “Mary Poppins,” the blue-skinned Na’vi to live among floating mountains in “Avatar,” and TV weather reporters to point at sun and rain symbols that only their viewers can see, died on Feb. 10 in Los Angeles. He was 96.
His death was announced by Ultimatte, the company that he and his son, Paul, founded in 1976.
The technology Mr. Vlahos perfected, earning him Oscar and Emmy awards, creates the illusion that actors or settings filmed separately are in the same place. It has made it possible for young actors to play their own twins and share scenes with them; for princesses in galaxies far, far away to send hologram messages; and for nonexistent, distant worlds and their wildlife to appear real in convincing detail.
“His inventions made a whole genre of film possible — a genre that seems to make more money than any other,” said Bill Taylor, the Oscar-winning visual-effects supervisor, speaking at an Academy of Motion Picture Arts and Sciences event the day before Mr. Vlahos died. “He created the whole of composite photography as we know it.”
In an interview with the BBC, Robin Shenfield, president of the Mill, a British visual-effects studio, summarized Mr. Vlahos’s contribution and talent as “that fundamental ability to take lots of elements from lots of places and seamlessly mesh them,” creating “a new convincing reality.”
Mr. Vlahos did not come up with the original idea for the film industry’s blue-screen method; it had been used in Hollywood as early as “The Thief of Bagdad” (1940). But he refined it, to say the least, and developed a way to minimize the unfortunate side effects of earlier methods, like the strange, unwanted glow that might surround objects. Glassware, cigarette smoke and hair blowing in the wind had been particular problems.
Mr. Vlahos’s breakthrough was a complex laboratory process that separated blues, greens and reds before recombining them. He called it “the color difference traveling matte scheme.” (Whether filmmakers choose to use a blue screen or a green one is sometimes a simple matter of choosing the color that no actor in the scene is wearing.)
An early use of the technology was in the 1959 film “Ben-Hur,” a multiple Oscar winner perhaps best known now for its chariot-race scene, which could not have been done so vividly and convincingly without Mr. Vlahos’s contributions. It was his method as well in “The Birds,” Alfred Hitchcock’s 1963 movie in which Tippi Hedren is almost pecked to death by the angry title characters.
His technology was also used in the first “Star Wars” trilogy, in Warren Beatty’s “Dick Tracy,” in Ang Lee’s “Life of Pi” and in the science-fiction series “Doctor Who.”
But a complete list of his handiwork would be almost impossible to compile. Mr. Vlahos held at least 35 movie-related patents, and as they expired others in the industry put his discoveries to their own uses. As The Hollywood Reporter wrote last week, “every green- or blue-screen shot today employs variants of the Vlahos technique.”
Petro Vlahos was born on Aug. 20, 1916, in Raton, N.M., a small town near the Colorado border. He received an engineering degree from the University of California, Berkeley, in 1941 and worked for the Douglas Aircraft Company and Bell Laboratories before joining the Motion Picture Research Council after World War II, having been recommended by a contact at MGM.
In addition to his son, Mr. Vlahos’s survivors include his wife, Virginia; a daughter, Jennie Vlahos Gadwa; a stepson, James Bentley; and a stepdaughter, Sandra Bentley King.
Mr. Vlahos received a special Emmy Award in 1978 for the Ultimatte video-matting device and five special Academy Awards: in 1961, 1965, 1993, 1994 and 1995. Sometimes those were shared with colleagues. (He shared the 1995 award with his son.)
Later in life he was outspoken about his belief that he had gotten less than his fair share of the credit for his special-effects work, particularly regarding the 1965 prize. That Oscar, for “the conception and perfection of techniques for color traveling matte composite cinematography,” also went to Ub Iwerks and Wadsworth E. Pohl.
“All three of us got the same Oscar,” Mr. Vlahos said in a 2009 video interview with Jeff Foster, author of “The Green Screen Handbook,” although “they didn’t invent anything.”
“Today I would have handled it differently,” Mr. Vlahos said. “You get older. You get tougher.”
Former TEMPTATION singer DAMON HARRIS has passed. He was born OTIS ROBERT HARRIS in BALTIMORE, MD in 1950.
He replaced EDDIE KENDRICKS, one of the orignal lead singers of the TEMPTATIONS. HARRIS was so good many TEMPTATION's fans didn't realize he was the voice in the GRAMMY AWARD-wnning hits "Cloud Nine" and "Psychedelic Shack." He sang with the TEMPS from 1971 to 1975. HARRIS later toured around the world with fellow future TEMPTATIONS member GLENN LEONARD. HARRIS succombed after a lenthy bout with prostate cancer.
DAMON HARRIS was 61. Funeral arrangements are pending.
http://www.allaccess.com/net-news/archive/story/115506/former-temptations-singer-damon-harris-passes
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